The Black Hills

The face of crazy horse, A7rii 120sec shutter, f13

A few years ago, Jeff Tapp told me about Crazy Horse Memorial, a sanctuary in the Black Hills that was at the top of his list of places to see. The facility is home to the construction of the largest sculpture in the world. The sculpture itself is a tribute to the great Lakota leader Crazy Horse who is one the most widely revered Native American Heroes.

On a whim, this last Sunday,  we packed up a few of our things and hopped in the car with one thing on our mind: The Black Hills. We drove over a thousand miles and finally reached the entrance to Crazy Horse Memorial to find that the entirety of the region was under a blanket of thick, unrelenting fog. The luck was not with us.

We didn't have it in our plans to stay another day as we needed to head to Wyoming that night and return back to Illinois via North Dakota the next day. We left the facility without getting a glimpse of the sacred mountain. As we drove slowly through the extremely dense fog toward Wyoming, we decided that we'd come too far to not see the memorial, and agreed to return to the Black Hills again after spending some time at Devil's Tower.

It was one of the best decisions we'd ever made. Not only were we able to see the incredible memorial, but we were also invited to take a ride up the mountain to see the face of Crazy Horse and view the incredible progress that started 68 years ago. The view from the top was not something that cannot conveyed with any number of words or images. The detail of the 87 foot tall head of Crazy Horse is remarkable, and the whole experience of Crazy Horse Memorial is unlike anything else, I can't recommend it enough.

I'll make a separate post about devils tower, but here's a sneak peak. 

The clouds finally clearing to reveal the stars 

Don't Die Taking Pictures of Sand Dunes

The Mesquite Flat Sand Dunes are amazing. Truly mesmerizing. I could spend a year there and not be bored.

Sunrise brings the largest dune, known as Star Dune, fresh drama. A7rii 900mm F8

However, getting  to the big dune takes a LONG time. At least an hour of trudging on unforgiving wavy sand dunes, it's definitely not for the faint of heart. Here are a few logistical tips for photographing them.

Tip #1 - BRING A LOT OF WATER 

Remember, your in the fucking desert, it's trying to kill you. Water can help you not be dead. 

Tip #2 - DONT GO ALONE

Rob looking cool on Star Dune. He's being absolutely blasted in the face with an unreasonably high-powered flashlight by Agustin whose just out of frame.

So you can see the big dune from your car right?

"Everything's dandy, I can just head out there alone,  I mean I just gotta walk dead straight for a few miles and I'm good." 

famous last words

As soon as you get over the first little dune, guess what?  You can't see your car anymore! And if you get too caught up shooting like I ALWAYS do,  you'll soon be disoriented and then you'll die. And it won't make for a cool obituary. "In a tragic sand dune accident... Jimmy couldn't find his way out." Everyone will just be like "Why didn't he just leave the sand?" They'll never understand. 

You can really only see your tiny lil car from the very top of star dune, so if you get lost, I guess go to the big dune and try to get un lost. 

My advice:

go with a group. Hopefully they are a sensible bunch, and you'll be less likely to be munched on by coyotes. 

Tip #3 - BRING ALL YOUR BATTERIES

I guess this ones not super related to your survival, but it's important.

Don't be that guy/girl whose completely out of batteries because you shot 8000 pictures through the night. When the epic sunrise comes, AND IT WILL  you will hate yourself. 

(My battery died directly after taking this last shot. It got way more epic but I missed it) 

 

Epic sunrise you missed because your an idiot. A7rii 16-35

That's it for now, there will definitely be a part 2 coming soon. 

Planning and Shooting the Golden Gate Bridge

Sony A7rii with Sigma 24-105 Art at 28mm 30 seconds at f/8.0 ISO 125

Last year in April I made a drive from Portland to San Francisco. I had a early flight scheduled out from San Francisco to Las Vegas to shoot a music video. I drove all night and made it there a several hours before my flight. I used this opportunity to scope out a location for a sunrise shoot at the Golden Gate Bridge.

I had a few criteria when selecting a location to shoot the bridge: 

• I wanted a perspective well below the bridge
• It needed to be close enough to the bridge so that even if I shot really wide the bridge would still be prominent in the frame
• Foreground elements (in this case rocks)  near the water to show motion
• I wanted to get a few different shots, One before sunrise, where the lights of the bridge were still lit up and hopefully a nice contrast with the blue water. And Also I wanted one later on where the sun had risen a little more and that golden light illuminated the scene

I did a bit of research and found a perfect location, Marshall Beach

 

As luck would have it, there was an abundance of sea foam present that I focused on for the blue hour shot, as I figured the blue water would contrast nicely with the white foam. I was extremely lucky with the location of the sunrise as you can see it's sun star as it rose through the bridge. 

Sony A7rii with Sigma 24-105 Art at 33mm 10 seconds at f/10 ISO 200 Formatt-Hitech 10 Stop Firecrest Neutral Density Filter